Rockheim facade febrero 21, 2012
Posted by christian saucedo in Media facade.Tags: Media facade, Media facade - Auto active
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Tipo. Fachada media – autoactiva
Autor. -
Autor instalación. -
Edificio. Rockheim Museum
Ciudad. Trondheim
País. Noruega
Año. 2012
Web. -
Imágenes. http://www.flickr.com/photos/watz/with/6865553419/
Video. http://www.youtube.com/watch?v=9pBRS8R8rdo
Vía. -
Golden tiger febrero 13, 2012
Posted by christian saucedo in Large scale projections.Tags: Large scale projections, Large scale projections - Auto active
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Tipo. Proyección a gran escala – auto activa
Autor de la pieza. Le3 Paris
Edificio. -
Ciudad. París
País. Francia
Año. 2012
Web. http://www.le3paris.com/?portfolio=golden-tiger
Imágenes. http://www.le3paris.com/?portfolio=golden-tiger
Video. http://vimeo.com/36338299
Luminous Field febrero 11, 2012
Posted by christian saucedo in Large scale projections.Tags: Large scale projections, Large scale projections - Auto active
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Tipo. Proyección a gran escala – autoactiva
Autor de la pieza. LuftWerk (Petra Bachmaier and Sean Gallero)
Edificio. Cloud Gate
Ciudad. Chicago
País. EUA
Año. 2012
Imágenes. http://www.thisiscolossal.com/2012/02/luminous-field-by-luftwerk-installed-at-chicagos-cloud-gate/
Video. http://www.youtube.com/watch?feature=player_embedded&v=7Cl7Lxw9vJw
Vía. http://www.thisiscolossal.com/2012/02/luminous-field-by-luftwerk-installed-at-chicagos-cloud-gate/
SA MI 75 DZ NY 12 febrero 9, 2012
Posted by christian saucedo in Other projects.Tags: Other projects
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En.
David Zwirner is pleased to present an ambitious new work by American artist Doug Wheeler (b. 1939), whose large-scale installations have rarely been seen in the United States. Built within the gallery’s 519 West 19th Street space in New York, Wheeler’s SA MI 75 DZ NY 12 (2012) explores the materiality of light while emphasizing the viewer’s physical experience of infinite space. The exhibition marks the first presentation of an “infinity environment” by the artist in New York.
As a pioneer of the so-called “Light and Space” movement that flourished in Southern California in the 1960s and 1970s, Wheeler’s prolific and ground- breaking body of work encompasses drawing, painting, and installations that are characterized by a singular experimentation with the perception and experience of space, volume, and light. Raised in the high desert of Arizona, Wheeler began his career as a painter in the early 1960s while studying at the Chouinard Art Institute (now the California Institute of the Arts) in Los Angeles.

