Tipo. Proyección a gran escala – auto activa

Autor de la pieza. Le3 Paris

Edificio. Holland Casino Sheveningen

Ciudad. La Haya

País. Países Bajos

Año. 2012

Web. -

Imágenes. -

Video. http://www.youtube.com/watch?feature=player_embedded&v=Ok1ZphSGfak

Vía. http://www.dutchdailynews.com/spectacular-reopening-of-holland-casino-scheveningen-the-casino-of-the-future/

Descripción

Description

Holland Casino reopened its renovated casino in Scheveningen with a 3D building projection. DJ Ferry Corsten and State Secretary Fred Teeven spun a virtual roulette wheel to send the first ball dancing across the casino’s façade and opened the casino of the future. The combination of games, restaurants, bars, lounges and music, makes that people no longer have to choose between spending an evening at a casino or a club. Guests enjoyed live performances by DJ Ferry Corsten and singer Ben Hague.

This evening, a spectacular interactive 3D building projection marked the reopening of the fully renovated Holland Casino in Scheveningen. The casino was officially opened by State Secretary of Security and Justice Fred Teeven and world-famous DJ Ferry Corsten. They spun a virtual roulette wheel to send the first ball dancing across the casino’s facade. Guests and the general public then had the opportunity to try their luck in the new casino. Accompanied by the music of Ferry Corsten, the 3D show ushered in the opening of this casino of the future, which in addition to gambling, also offers entertainment, games, bars and restaurants.

 

Tipo. Fachada media – autoactiva

Autor. -

Autor instalación. -

Edificio. Rockheim Museum

Ciudad. Trondheim

País. Noruega

Año. 2012

Web. -

Imágenes. http://www.flickr.com/photos/watz/with/6865553419/

Video. http://www.youtube.com/watch?v=9pBRS8R8rdo

Vía. -

Descripción

Description

Rockheim is the national experience center for pop and rock. Rockheim to collect, preserve and pass on Norwegian popular music from the 1950s to the present day. Rock House is situated on Brattørkaia in Trondheim.Printed On GlassJet.

Tipo. Proyección a gran escala – auto activa

Autor de la pieza. Le3 Paris

Edificio. -

Ciudad. París

País. Francia

Año. 2012

Web. http://www.le3paris.com/?portfolio=golden-tiger

Imágenes. http://www.le3paris.com/?portfolio=golden-tiger

Video. http://vimeo.com/36338299

Vía. http://www.le3paris.com

Descripción

Description

Six years after Karolina Sobecka showed Wildlife, The parisian Collective Le3 concluded Golden tiger, a same project around the streets of the city of light.

Music by
THE AGENCY ‘Watching Us’
(F. Blet / R. Trotel / Y. Mayoux)
Published by Industry of Cool
From the album ‘SOMNOGRAPHE’ © 2011



Tipo. Proyección a gran escala – autoactiva

Autor de la pieza.  LuftWerk (Petra Bachmaier and Sean Gallero)

Edificio. Cloud Gate

Ciudad. Chicago

País. EUA

Año. 2012

Web. http://www.luftwerk.net/

Imágenes. http://www.thisiscolossal.com/2012/02/luminous-field-by-luftwerk-installed-at-chicagos-cloud-gate/

Video. http://www.youtube.com/watch?feature=player_embedded&v=7Cl7Lxw9vJw

Vía. http://www.thisiscolossal.com/2012/02/luminous-field-by-luftwerk-installed-at-chicagos-cloud-gate/

Descripción

Description

En.

David Zwirner is pleased to present an ambitious new work by American artist Doug Wheeler (b. 1939), whose large-scale installations have rarely been seen in the United States. Built within the gallery’s 519 West 19th Street space in New York, Wheeler’s SA MI 75 DZ NY 12 (2012) explores the materiality of light while emphasizing the viewer’s physical experience of infinite space. The exhibition marks the first presentation of an “infinity environment” by the artist in New York.

As a pioneer of the so-called “Light and Space” movement that flourished in Southern California in the 1960s and 1970s, Wheeler’s prolific and ground- breaking body of work encompasses drawing, painting, and installations that are characterized by a singular experimentation with the perception and experience of space, volume, and light. Raised in the high desert of Arizona, Wheeler began his career as a painter in the early 1960s while studying at the Chouinard Art Institute (now the California Institute of the Arts) in Los Angeles.

Wheeler’s early white canvases incorporated abstract imagery that created a spatial dynamic and activated the central void of the painting’s field. His practice quickly developed into the environmental aesthetic for which he is presently best known. In 1965, the artist made a transitional work in which he over-sprayed a canvas with subtle variations of white and installed neon tubes inside the back of the frame. Installed with a white floor, the painting appeared to float on the wall. Wheeler subsequently abandoned canvas altogether with a body of innovative, radiant works known as “fabricated light paintings” in which he applied lacquer to Plexiglas boxes that were illuminated from within by neon tubing. These “paintings” were followed by his “light encasements,” which consist of large squares of painted vacuum-formed plastic with neon light embedded along the inside edges. Intended to be installed in a pristine white room with coved angles, these works dematerialize and create an immersive and spatially ambiguous environment that absorbs the viewer in the subtle construction of pure space. According to critic and curator John Coplans, who organized Wheeler’s first solo exhibition at the Pasadena Art Museum in 1968, Wheeler’s “primary aim as [an artist] is to reshape or change the spectator’s perception of the seen world. In short, [his] medium is not light or new materials or technology, but perception.”

Resource: http://ikono.org/2012/01/doug-wheeler-sa-mi-75-dz-ny-12/

Tipo. Proyección a gran escala – autoactiva

Autor de la pieza. Gerry Hofstetter

Edificio. -

Ciudad. Valle de Grindelwald

País. Suiza

Año. 2012

Web. http://www.hofstetter-marketing.com/

Imágenes. http://www.jungfrau.ch/nc/en/tourism/news-events/news/details/archive/2012/01/article/pioniergeist-in-den-schweizer-alpen-942/

Video. http://www.youtube.com/watch?v=Rmn-NNX-D9g

Vía. http://www.jungfrau.ch/nc/en/tourism/news-events/news/details/archive/2012/01/article/pioniergeist-in-den-schweizer-alpen-942/

Descripción

Description

On the night of 1 January, light artist Gerry Hofstetter projected the Swiss cross and other images on to the north face of the Jungfrau. This launched the centenary year of the Jungfrau Railway, Switzerland’s leading mountain railway.

Gerry Hofstetter has set up camp beneath the Jungfrau summit at 3380 metres above sea level, and is staying on the glacier in the heart of the Swiss Alps for nine days. Weather permitting; from here he will illuminate the Jungfrau on eight evenings until 8 January 2012. Portrayed will be a Swiss cross, a Jungfrau Railway train and a portrait of Adolf Guyer-Zeller, founder of the Jungfrau Railway. The temperature at this altitude can drop to minus 30 degrees centigrade. Enough supplies for three weeks have been taken up to the camp, as a helicopter rescue is impossible in bad weather.

The illumination of the Jungfrau launched the start of celebrations for the Jungfrau Railway centenary. On 21 February 1912, Italian miners used a massive charge of dynamite to make the breakthrough to daylight on the Jungfraujoch. They completed the construction of the railway tunnel through the rock of the Eiger and Mönch mountains to the highest-altitude railway station in Europe. This incredible pioneering masterpiece has become Switzerland’s leading mountain railway. Today, the Jungfrau Railway carries around 700,000 passengers per year.

The illumination project is possible thanks to cooperation between Gerry Hofstetter, the Jungfrau Railway and Bayer. As a cultural partner of the Jungfrau illumination, Bayer wants to foster global awareness of the beauty and unique quality of the Swiss mountain world. Bayer has been active in Switzerland since 1956 and supports scientific projects in schools, the development of energy-saving technology and bold and visionary cultural initiatives.

In addition, a world premiere was also opened on Kleine Scheidegg on 1 January 2012: the ARTRUN – an art exhibition for skiers. Impressive images show the construction of the Jungfrau Railway, Gerry Hofstetter’s light art from around the world and Bayer’s cultural commitment.

Tipo. Proyección a gran escala – interactiva

Autor de la pieza. Karolina Sobecka

Edificio. CAM Raleigh building

Ciudad. Raleigh, Carolina del norte

País. EUA

Año. 2012

Web. http://www.gravitytrap.com/artwork/its-you

Imágenes. http://www.gravitytrap.com/artwork/its-you

Video. http://vimeo.com/35266165

Vía. http://www.gravitytrap.com/

Descripción

Description

It’s You is an interactive storefront-window projection that explores the mechanisms of public behaviors and the line between the real and constructed social actions.

The installation is a rear projection on large storefront window. Human figures crowd around something that they obscure from the pedestrian’s view. When the pedestrian stands behind them, as if to look over their shoulders, they step aside to allow him a view onto what they’re looking at. The pedestrian can now see part of the unfolding scene, and he obscures the view for the other pedestrians; he’s become part of the crowd.

When the pedestrian enters the interaction area in front of the window, the projected figures turn their heads glancing at him.
If the pedestrian stops, they will move aside, parting enough to allow him a view onto what they’re looking at.

After the pedestrian has been in the interaction area for a period of time, the projected figures will turn to face him as one of the figures points him out. This sudden gesture of recognition, confrontation or accusation directed at him startles and singles out the viewer. The other projected figures look at him, silently questioning, scrutinizing, judging. As the pedestrian moves, the projected people they track him with their gazes. The pedestrian realizes that he is the one on display, he became the spectacle. The projected figures are waiting for what he will do next. If he gestures of moves, the projected audience will applaud, whisper to each other or take pictures with their virtual cameras.

The viewer quickly realizes that the installation is interactive, and tries waving his hands or doing other gestures to ‘activate’ it. To this the projected figures react by clapping, applauding the performance and clarifying their role of audience.

En.

Ivan Toth Depeña’s light-based installation “Reflect” was permanently installed in the Stephen Clark Government Center Lobby in Miami on November 18, 2011. Commissioned by the Miami-Dade Art in Public Places initiative, the work illuminates the dynamism of the lobby space and encourages a sense of discovery in the visitors.

This dynamic art work is designed by the artist with the idea of welcoming visitors and employees to Government Center in a fun and interactive way,” said Michael Spring, Director of the Department of Cultural Affairs. “It will energize the lobby and symbolize the County’s commitment to be informative and responsive to our citizens.”

As a main stop in Miami’s MetroRail system, the space serves as a hub for commuters; incorporating the notion of daily circulation into his piece, Depeña uses sensors and light to focus on the communal nature and circulatory qualities of the lobby. The project engages the building’s visitors and references the idea of community through various means of reflection, group interactivity and high-tech playfulness.

The basis of the project is a network of custom designed LED light boxes placed at specific locations throughout the lobby space. These light boxes interact and respond to the commuter’s movement and gesture via camera tracking, creating an energetic and vibrant artwork.

Custom software has been developed to complete Depeña’s vision and the LED nodes have been individually programmed to be the anchor of the work’s responsiveness and interactivity. Passers-by have their images captured by several infrared cameras; the installation’s software then abstracts that image in real time, displaying this abstraction on the light covered columns. The resulting image creates an ethereal mirror that testifies to the participation of the audience and the activity of the space.

The colorful lights of the installation also engage those beyond the lobby—as some columns face the public plaza—and the installation remains functioning even when there are no active participants, as the light panels retain the “memory” of users’ interactivity.  This is a key element in the conceptual infrastructure of the installation. The “memory” gives the space added life and allows the community to be a part of the constantly evolving artwork. Sensitive enough to detect the difference between multiple and single users, the system will vary the output and scale of the display to the number of visitors, and the hues will change according to the time of day. All visitors experience the vibrancy of Depeña’s work and have the ability directly affect the piece or simply witness the patterns produced by other users, elaborating on the idea of time and memory in the space.

Commissioned by:
Miami-Dade Art in Public Places

Additional Project Support:
Lighting Consultant and Programming Support: Focus Lighting
Fabrication support: Custom finishers
With generous support by: Color Kinetics

Resource: http://www.ivandepena.com

Es.

Libris.  Instalación cinética por Marina Corach

Liber interior corticis tunica est, libri vivum textum. // El libro es la capa interna de la corteza, los libros un tejido vivo.

La palabra “libro” tiene origen en la raíz latina liber; corteza de árbol, el libro provienede algo vivo, y aunque muere orgánicamente puede volver a la vida de otra manera, al ser leído.

Libris. surge a partir de las coyunturas que se instauran en torno a los cambios y posibilidades que afronta el libro al pasar del medio tradicional al formato digital. Esta transformación deriva en una gama de sentimientos encontrados, críticas, fetichismos, miedos y fascinaciones. Sin importar el medio que se utilice, lo qué da sentido al libro-objeto es el interés hacia la lectura y/o la escritura, si nadie lo lee, el libro no tiene vida.

Sin intentar ser una instalación lúdica invadida por efectos especiales, se produce una ambientación que resalta una mesa con libros en blanco excepto el libro central que tiene una frase impresa, el espectador interesado se acercará a ver que esta escrito, llevandolo a una distancia íntima con los libros y buscará sorprenderlo con el movimiento orgánico que los hace parecer vivos. Así como sucede con el caminar de un pequeño insecto, el visitante se detendrá durante un momento para contemplar y percibir ese sutil rasgo de vida con la simulación de pulmones de papel mediante el sube y baja de las hojas, acompañado con un crujir al unísono de éstas rozando en cada movimiento.

Vía: http://lecheconchispas.tumblr.com/

En.

Libris.  kinetic Installation by Marina Corach

The word “book finds its origin at the latin root “liber” (bark). A book comes out of something that is alive, and even though it dies organically, it comes alive as soon as someone reads the words within.

Libris was born from the joints established among those changes and possibilities that a book is facing, coming from its traditional form to a digital format. This transformation causes a wide range of mixed feelings, fetichisms, criticisims, fears and fascinations. But, it is not the media what matters, it is the interest towards its lecture what makes an object-book. Thus if nobody reads the book, it is not alive.

Not trying to be a recreational installation – saturated with special effects- Libris produces a stunning atmosphere. Open books on a table, all of them showing white pages, except for the one at the very center with a tiny phrase printed on it. The audience, when interested, would try to get closer to that phrase in order to read what it’s written, taking the spectator to an intimate distance with the book. This reduction of the space between them and the book would cause them sheets to start moving at an organic manner, as if the book was alive. Just like it happens when an insect passes by, now the visitor would stop for a second to contemplate and sense that subtle vital signs, not only the movement but also an almost imperceptible sound of the sheets caressing each other.

Resource: http://lecheconchispas.tumblr.com/

Tipo. Concierto

Artista. -

Escenografía. MoooZ & Francois Tarrabass

Colaboración media. MoooZ

Año. 2011

Web. -

Imágenes. https://www.facebook.com/pages/MoooZ/205494392851112

Video. http://vimeo.com/34659449

Vía. -

Descripción

ElectroCircus is a multidisciplinary festival, it’s a mix of music live, dance and video mapping to create a freaky funky party. It’s organized by CENC (cenc.ch) Based on a drawing by Thomas Peraudin, the Head shaped screen was ordered to us by Francois Tarrabass.

Tipo. Proyección a gran escala – autoactiva

Autor de la pieza. Monster Media & IllumeNight

Edificio.  The Joule Hotel

Ciudad. Dallas, Tx.

País. EE.UU

Año. 2011

Web. http://jimsanborn.net/

Imágenes. -

Video. http://www.youtube.com/watch?v=XSR0Xady02o&feature=related

Vía. http://jimsanborn.net/ 

Descripción

Description

This building projection was to promote the new movie “The Tourist” starring Angelina Jolie and Johnny Depp. The Joule Hotel in downtown Dallas hosted a party with this 3D architectural mapping projection art show, it was projected on the Praetorian Building at 1607 Main Street. The size of the projection was 80′ x 80′.

Produced by TVP
Executive producer was Monster Media - http://monstermedia.net/
Digital Architectural Projection Mapping by IllumeNight.
All content created by Jack Hattingh http://www.jackhattingh.com and Alan Demafiles. Audio Alan Vilatoro and John Joiner. This was produced by TVP under Jack Hattingh’s leadership.

Tipo. Proyección a gran escala – interactiva

Autor de la pieza. Goodby, silverstein & partners and Pearl media

Edificio. Roosevelt hotel

Ciudad. Hollywood

País. EE.UU

Año. 2011

Web. http://www.goodbysilverstein.com

Imágenes. http://creativity-online.com/work/chevy-sonic-claw-game/25708

Video. http://www.youtube.com/watch?feature=player_embedded&v=nOtWppRMzjQ#!

Vía. http://creativity-online.com/work/chevy-sonic-claw-game/25708

Descripción

Description

The brand launched an interactive, 3D projection mapped, billboard version of the classic arcade claw game, where consumers could navigate the claw to win prizes. One of the winners took home a 2012 Chevy Sonic. This is the first time users have been allowed to interact with a 3D projection, and the work went down in the Guinness Book of World Records as the largest 3D projection mapping ever. Pearl Media handled event and mapping.

Tipo. Proyección a gran escala – autoactiva

Autor de la pieza. Jin Samborn

Edificio. -

Ciudad. Oregon, Utah, Arizona & Cork

País. EE.UU & Irlanda

Año. 1995-1997

Web. http://jimsanborn.net/

Imágenes. http://jimsanborn.net/

Video. -

Vía. http://jimsanborn.net/ 

Descripción

Description

The project  The Topographic Projections and Implied Geometries Series by Jim Sanborn was produced by direct, large format, light projection.  The projector, powered by a mobile generator, was moved from site to site.  All of the pieces were photographed at night using long exposures.  On moonless nights, the landscape was lit with searchlights.  The landforms themselves are quite large, requiring the projector and camera to be, on average, 1/2 mile away from the subject landscape.

The images in the Topographic Projections and Implied Geometries Series are presented as 20″ x 24″, 30” x 36” and 48” x 60” digital prints.